Seeing a play you much admired five years ago for a third time isn’t always…
ARTS & THEATER
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ARTS & THEATER
Between The REMBELIO OF POPOLARI (“Omilies”, Carnevals, Anonymous Poets) And No Stable Funding
An Interview with Kostas Kapodistrias – Theatre actor and director, theatre manager/founder of Theatro Tsi…
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Susanne Kennedy doesn’t do things by half. When she creates a world, it has its…
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ARTS & THEATER
Alfredo Sanzol Stages Lorca’s “The House of Bernarda Alba”: Simmering Passions, Solitude and Surveillance
The 2023/2024 season has proved the year of Bernarda Albas. Lorca’s 1936 drama was completed…
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ARTS & THEATER
A Triple Bill on Desire and its Discontents: “La Voix Humaine”, “Erwartung” and Something in Between at Madrid’s Teatro Real
There are a number of firsts in the new Teatro Real production triple bill that…
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The question of universality faces entire series of utterly new answers, but not all of…
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When Chenura Trust a Zimbabwean media company announced that they were working on a theatrical…
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There are some myths about the opera that are not true. Firstly, that young people…
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ARTS & THEATER
Tim Price’s “Nye” at the National Theatre: A Fun Life of the Creator of the National Health Service
For me, this is the most emotional show on the London stage. Why’s that? Because…
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ARTS & THEATER
Marius von Mayenburg’s Nachtland at the Young Vic: Satire on Art and Anti-Semitism Is Both Absurdist and Unsettling
We’ve all heard of the metaphorical madwoman in the attic, but what about the symbolic…
